Visconti/Bowie inspired triple reverb

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A Room of Your Own

Developed with legendary producer, musician, and engineer Tony Visconti, Tverb provides an extremely customizable room reverb with some unique techniques and features. Within this virtual room (modeled on the legendary Meistersaal at Berlin’s Hansa Tonstudios) you can mix three virtual channels: one main mic with subtle ambience and two moveable mics capturing the lush room reverb.

Near & Far

Tverb is a reverb unlike any other. Start with a perfect room and configure it to taste by adjusting the standard reverb controls of decay, diffusion and EQ to create the ambience that brings your tracks to life. Now, place a couple of additional microphones anywhere in that room. Move them around until the track sits perfectly in your mix. Set the mics gates to open with the dynamics of the track. Tverb, gives you control all of these parameters and more. And because Tverb is algorithmic, you can do it all in real time (which wouldn’t be possible with a convolution reverb). You can even have your mics dance around the room in real-time. Impossible in real life; a snap in Tverb.

Open the Gates

With analog-modeled compression on the main channel and gating on the reverb channels, Tverb is a unique tool for audio with wide dynamic range. The inspiration for the plug-in was the setup Visconti used to capture the incredible dynamic range of David Bowie’s vocals while recording Heroes. Tverb builds on Visconti’s technique and opens up undreamed of possibilities.

"Little did I know that setting up three microphones in a very specific configuration 40 years ago would result in such a versatile plug-in for the new age of recording. Eventide’s Tverb is the result of a two-year collaboration between Eventide and me. This is not a one-trick-pony just to get the David Bowie ‘Heroes’ vocal effect. The applications are limitless. I love the dancing microphones." — Tony Visconti


  • 2 Moveable microphones to adjust depth of field and room reflections

  • Adjustable polar patterns for microphone 1 to adjust the amount of ambient room tone

  • Eventide’s complex reverb algorithm with EQ, diffusion, and decay control

  • Compressor module on microphone 1, just as Visconti had in the original session

  • 2 linkable, post-reverb gate modules with control of when the gates close, the speed at which they close, and the length of time they are forced to stay open

  • Console (inspired by the one used in the session, including Visconti’s ‘grease pencil’ labelling) that provides post-reverb channel processing for each individual mic and the master

  • Room mixer module alters the sound of the room itself with control over decay, diffusion, and frequency response

  • Light weight! Low CPU loading allows you to put Tverb on multiple tracks

  • Signal inversion buttons to remove (or create) phase cancellation

  • Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant

  • Complete automation support

Artists Using Tverb

Andre Kelman

Beastie Boys, Phoenix, Gogol Bordello, Cat Power

Glenn Rosenstein

Madonna, U2, Ziggy Marley, Whitney Woerz

Joe Chiccarelli

U2, Elton John

John Agnello

Sonic Youth, Dinosaur Jr.

Richard Devine

Schematic Records

Stewart Lerman

Patti Smith, St. Vincent, Boardwalk Empire

Tony Visconti

Bowie, T. Rex

Alex Solano

Pulsating Waves, Plugin Connection

Buda & Grandz

Wyclef, Dave East, Meek Mill, G-Unit, The Lox

Chris Carter

Chris & Cosey, Throbbing Gristle

Drew ofthe Drew

Ed Pettersen

Richard Thompson, Freedy Johnston, Candi Staton, Wadada Leo Smith, Giuseppi Logan, Henry Kaiser

Erin Tonkon

David Bowie, Holy Holy, Esperanza Spalding

Jordi Martinez Guals


Kasson Crooker

Symbion Project, Freezepop

Matt Lange

Deadmau5, BT


While this reverb plug-in only simulates one room, it does a great job and is surprisingly versatile when compared to similarly priced IR convolution reverbs available on the market today.

Matthew Wang


Tverb's combination of gorgeous reverb, flexible mic positioning and useful dynamics control makes it unique and very special indeed...It's a triumph and Bowie would have been proud.

Computer Music

Music Radar

Tverb’s Meistersaal room simulation is full of character, and being able to sculpt its intrinsic nature in specific ways greatly expands this plug-in’s usefulness. 

Barry Rudolph

Mix Magazine

While you may think this is just for that vocal sound, it’s not at all...Tverb is great-sounding, easy-to-use reverb meets room tool, with a lot of creative options.

Rich Tozzoli

ProSound Network

Great sounding plugin… based on a great sounding technique… that works really well on lots of sources.

Andy Picker

Guitar Interactive

Having this kind of slightly more complex hookup readily available (with save-able settings) in one plug-in is a particularly quick and convenient way to add some musical, dynamic reverb processing to various tracks in a mix, as called for, though, of course, it really shines on vocals. 

Joe Albano

Ask Audio

Visconti, Eno, and Bowie were known for doing very unconventional things in the studio which is why this plugin has such character. It’s interesting to see and hear how a plugin can be inspiring, especially in a world of endless plugins



 I already love it...Tverb is a refreshing new look at the making of a plugin for emulating a production technique instead of trying to emulate a piece of gear and I like it for that. The sound quality of Tverb is awesome and sounds so lush. 

Producer Spot

Tverb offers one of the very best sounding acoustic spaces I’ve ever heard on a plug-in, with a natural and detailed room sound that blends very nicely with the source.

Diogo C. Borges

Qualitativ ist Tverb ein Paradebeispiel für die hohe Kunst des algorithmischen Halls, die Eventide, nicht zuletzt dank jahrzehntelanger Erfahrung auf diesem Gebiet, perfekt beherrscht.  

Holger Obst


Customer Testimonials

To make a plugin that pays tribute to Mr. DAVID BOWIE and Tony Visconti at the same time shows once again that you have respect for the professionals in the audio industry and is a tribute to one of the biggest legends of the last 50 years who left us 30 years too soon unfortunately...You really deserve to be the best Audio company in the world.  

—A. Hendrickx

I fell in love with it the moment I tried it. Tverb reproduces [Visconti's] technique by supplying algorithms that realistically emulate the microphones, processors, and room he used in the original recording...The result is a stunningly realistic reverberation paired with a huge collection of presets designed for just about any situation.

—The New People's Almanac


Platform Compatibility

Microsoft Windows 7+ and Apple OS X 10.7+

DAW Compatibility

Software Plug-In Format
Pro Tools 10+
AAX Native
Cubase 7+ VST2
Nuendo VST2
Wavelab VST2
Logic 8+ AU
Ableton Live 7+ AU, VST2
Studio One AU, VST2
Digital Performer AU
Reaper VST2
GarageBand AU
Audition AU, VST2